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Präsentationen

2025

  • Stefan Rosmer, „Deutsche Lieder in Lautentabulaturen. Liedrepertoires und Liedschichten in der ersten Hälfte des 16. Jahrhunderts im Vergleich verschiedener Lied-Medien”, Perspektiven der Liedforschung, Deutsches Historisches Institut in Rom (DHI), 29.–31.1.2025, https://dhi-roma.it/fileadmin/user_upload/pdf-dateien/Veranstaltungsprogramme/2025/20250129-31_Programm_Liedforschung_DHI.pdf.

  • Christoph Steindl, Kateryna Schöning, „E-LAUTE - die Musik abseits der Noten und die Daten abseits der Musik”, Digital Humanities im deutschsprachigen Raum (DHd), Universität Bielefeld, 5.–6.3.2025, https://dhd2025.dig-hum.de.

  • Lewis, D., Janjuš, O., De Valk, R., Weigl, D. M., Crawford, T., Overell, P. and Schöning, K., „,Mein vleis und mue’: MEI support for lute tablatures”, Music Encoding Conference (MEC) 2025 Proceedings London, 3.–5.6.2025, https://music-encoding.org/conference/2025/.

  • Ilias Kyriazis, „E-LAUTE: incorporating multifaceted music representations and Semantic Web technologies into the Austrian National Library’s digital edition of lute tablatures”, International Association of Music Libraries, Archives and Documentation Centers (IAML), Salzburg, 6.–11.7.2025, https://iaml2025.at.

  • Marc Lewon, „Don’t be afraid… of German Lute Tablature”, Round Table contribution, American Musicological Society (AMS) Annual Meeting, Minneapolis, 6.–9.11.2025. Kurzbeitrag zur Verwendung historischer Notationen im Unterricht mit Bezug auf das E-LAUTE-Projekt.

2024

  • David M. Weigl, Olja Janjuš, Reinier de Valk, Kateryna Schöning, „Encoding strategies for notations combining text and music”, International Association of Music Libraries, Archives and Documentation Centers (IAML), Stellenbosch, Südafrika, 23.–28.6.2024, https://iaml2024.sun.ac.za.

  • R. de Valk, „AbsoLutely Tabulous – A toolbox for computational processing and analysis of music in lute tablature”, Digital Technologies Applied to Music Research: Methodologies, Projects, and Challenges (ECHOS / CESEM) Lissabon, 27.–29.6.2024.

  • Ilias Kyriazis, „The E-LAUTE critical edition as open knowledge platform and semantic network”, Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges, (ECHOS / CESEM) Lissabon, 27.–29.6.2024.

  • Olja Janjuš, „Computational analysis of German lute tablature: The interplay of data representations and tools”, Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges, (ECHOS / CESEM) Lissabon, 27.–29.6.2024.

  • David Weigl, „Introduction. Interplay in the Corpora of German Lute Tablature”, Medieval and Renaissance Music Conference (MedRen), Granada, 6.–9.7.2024, https://www.medren2024.com.

  • Silas Bischoff, „German Lute Tablature - Truly a German invention or a souvenir from other music cultures?”, Medieval and Renaissance Music Conference (MedRen), Granada, 6.–9.7.2024, https://www.medren2024.com.

  • Olja Janjuš, „See the bigger picture? - Applying computational approaches to tablature data sets”, Medieval and Renaissance Music Conference (MedRen), Granada, 6.–9.7.2024, https://www.medren2024.com.

2023

  • David Weigl, Kateryna Schöning, „E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Editions”, Colloquium / Upper seminar, LMU München, 25.1.2023.

  • Kateryna Schöning, „E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Editions – The Lute in the German-Speaking Area 1450–1550”, Workshop “Late Medieval Songs - Possibilities and Limits of the Digital Edition”, Universität Bayreuth, 14.–15.2.2023.

  • Reinier de Valk, „The digital editing of German lute tablature for the E-LAUTE project: Workflows and first results“, The Future of Digital Editions of Music Conference, Newcastle, 28.–30.3.2023.

  • Reinier de Valk, Henning Burghoff, Kateryna Schöning, „The edition-project ,E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Edition – The lute in the German-Speaking Area 1450–1550’“ (Poster), Medieval and Renaissance Music Conference (MedRen), München, 24.–28.7.2023, https://medren2023.com.

  • De Valk, R., Schöning, K., Weigl, D. M., Lewis, D., Crawford, T., Lewon, M., Overell, P., „,Ain schone kunstliche Underweisung’: Modelling German lute tablature in MEI”, Encoding Cultures: Joint MEC and TEI Conference 2023 Abstracts (MEC/TEI), 4.–9.9.2023, https://teimec2023.uni-paderborn.de.

  • Birgit Lodes, Kateryna Schöning, „About Digital and Hybrid Editions on Example of the ,Denkmäler der Tonkunst in Österreich’“, Institución Milá y Fontanals de Investigación en Humanidades-CSIC, COST Action 21161 – A new ecosystem of early music studies (EarlyMuse), WG3 ‘Publications’, Barcelona, 19.–20.9.2023

  • Kateryna Schöning, Reinier de Valk, David Weigl, „Digitally editing German lute tablature for the E-LAUTE project: Workflows and first results.” (IMS/TabGroup_Tours), Tours, 1.11.–3.11.2023.

2022

  • Kateryna Schöning, „The new project E-LAUTE: Electronic Linked, Annotated, and Unified Tablature Edition and some results of the ongoing project about tablatures and humanism – semantics of maxims and music in 16th century lute tablatures”, Lute Days / IMS Study Group “Tablature in Western Music“, Basel, 14.09.2022.